![]() In the case of passive voice, there's a version of the verb 'to be' in addition to the past participle of the verb. The sentence structure of passive voice differs significantly from the sentence structure of active voice. Passive voice was not featured in the sentence. The steak sandwich was eaten by the diner. The verb draws more attention than the subject noun does. This means that passive voice sentences are less active than their active voice equivalents, with the sentence's subject taking a less dominant role. In the case of passive voice, the verb acts upon the subject rather than the other way around. ![]() Passive voice is a less common type of writing, as writers engage with active voice in the majority of situations. This is active voice, as the subject is active in the sentence rather than having actions happen to it. This defines the nature of the sentence's voice and how the reader engages with the work. The most important part of establishing voice is acknowledging the specific nature of the verb's interactions with the rest of the sentence's construction. In the first example, the writer is the one performing the verb, in this case drinking their tea. In each of these instances, the noun is the part of the sentence initiating the verb. This means that sentences in the active voice have a strong and clear tone, with each step of the sentence making grammatical and narrative sense. In these instances, the subject of the sentence performs the action of the verb. Writing in active voiceĪctive voice is the more common form of voice in writing. ![]() Depending on the specific circumstances of your writing, there are situations where using both types of writing benefits the quality of your work Having a greater awareness of voice in your writing ultimately leads to a higher standard of work. Active voice means that the subject acts upon its verb. In passive voice, the subject is a recipient of the verb's action rather than the more active party. On a technical level, active and passive voice both refer to the relationship a subject has with a verb. Changing voice partway through risks producing an inconsistent tone throughout your work. ![]() This means that when you write a piece of work, deciding the specific voice for the context and remaining in that voice is a key part of completing the work. In the event that your phrasing is in passive voice, it can't also be active. The first thing to note in any discussions regarding passive vs active voice is the fact that the two are in direct opposition to one another. In this excerpt, the author has used the verbs “hear,” “want,” “saying,” “going,” and “tell” in active voice.View more jobs on Indeed View more Passive vs active voice I’ll just tell you about this madman stuff that happened to me around last Christmas…” Besides, I’m not going to tell you my whole goddam autobiography or anything. “If you really want to hear about it, the first thing you’ll probably want to know is where I was born, and what my lousy childhood was like… They’re nice and all-I’m not saying that – but they’re also touchy as hell. The verbs of active voice include “looked,” “talked,” “think,” “threw,” “had,” “living,” “came down,” and “suffered.” Example #5: The Catcher in the Rye (by J.D. In this passage, the author has written all of the sentences in active voice, which are direct and clear in meaning. When he came down to the river, sometimes he would take to me, and sometimes it was better for me to be careful. He was living for the most part in those villages on the lake. Afterwards I had to keep out of the way but I didn’t mind. ‘It was in general.’ “He threw his arms up…He had his second illness then. ‘It isn’t what you think,’ he cried, almost passionately. “I looked at him, lost in astonishment…’Ah, he talked to you of love!’ I said, much amused. Example #4: Heart of Darkness (by Colin Higgins) The subject is “Paul Schimmel,” who is doing “ventures,” and has “paid” fare. ![]() The use of active voice has added directness to this passage. In the IND station at Sixth Avenue and Forty-second Street one recent afternoon, he paid his fare with a free pass.” “Seven days a week, Paul Schimmel ventures into the subway with his clarinet. ![]()
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